A Night at the OperaBlind Guardian - A Night at the Opera
Country: Germany      Genre: Melodic Metal, Power Metal, Progressive Metal

Let me start this review by being very blunt. Blind Guardian’s A Night at the Opera is probably the most ambitious, theatrical, grandiose metal album ever recorded. I know that’s saying a lot, but believe me, its no exaggeration.

Blind Guardian has been honing their fantasy metal sound since their 1988 debut album Battalions of Fear. Subsequent albums like 1990’s Tales from the Twilight World, 1992’s Somewhere Far Beyond and 1995’s Imaginations from the Other Side gained Blind Guardian critical acclaim and an international following. 1998’s Nightfall in Middle-Earth was the bands first US release. Soon after, Century Media began releasing the bands previous albums on this side of the Atlantic.

A Night at the Opera, Blind Guardian’s seventh all-original album, is their most adventurous album to date. The band has decided to stray away from their J.R.R. Tolkien obsession and stick to a slightly more straight-forward approach lyrically. Musically however, there is no taming down. This album is a metal soundtrack if there ever was one. Every song includes huge, operatic choruses that will have you singing along in no time. The musicianship is impeccable and brilliantly executed. Songs like “Sadly Sings Destiny”, the unbelievably powerful “Battlefield”, and “Under the Ice” are immediate standouts, showcasing terrific songwriting and brilliant vocals from Hansi Kürsch. The guitars are powerful and melodic with great solos. The drumming is basically an unrelenting assault of double bass, which is cool if you’re a fan of that type of drumming like myself. The production is perfectly clear and very layered. For example “And Then There Was Silence” features some 30 guitar tracks and 50 vocal tracks! This album does have a few minor drawbacks though. First off the songs are so over-the-top, that by the time you get to the albums final 14 min. cut, the aforementioned “And Then There Was Silence”, the average listener will be utterly exhausted. The huge choir vocals and the epic songwriting might be just too much for some people.

Even though it does have a few drawbacks, this album has quickly become a favorite of mine. Fans of Blind Guardian’s other work (Demons & Wizards, Iced Earth, etc.) and even Rhapsody will certainly find something to enjoy here.

Reviewed by: Craig McCullough

ALBUM INFO:
Originally released in 2002
Century Media Records

Track #: Song: Band Member: Instrument:
1Precious Jerusalem  Hansi Kürschvocals
2Battlefield  Marcus Siepenguitars
3Under The Ice  André Olbrichguitars
4Sadly Sings Destiny  Thomen Stauchdrums
5The Maiden and The Minstrel Knight  
6Wait For An Answer  
7The Soulforged  
8Age Of False Innocence  
9Punishment Divine  
10And Then There Was Silence  
11Mies Del Dolor (Bonus Track)  


If you've listened to this album, did you like it?    Yes    No
Comments: (255 characters max.)


Liked It: 3284.2%

Disliked It:

615.7%

Comments

- Best album this year!
- I like the album, but not as well as some of BG's others. Seems a little too reliant on studio tricks. It's a bit of a task to listen to.
- The best album of the year! No question!
- Great album, however it takes a bit getting used to the feel of it compared to BG's other albums. That being said, I still love it.
- It's different, but very good in its own right. I'd recommend buying it to any fan of fantasy metal.
- It's very grandiose and very good.
- I would have been happy with another NIME, but this is such a giant leap of evolution that it has transcended the genre. One for the ages.
- How can talented musicans write such boring songs? :(
- In the begining BG songs were so evident, and now so boring and complicated.
- Truly amazing, BG have outcome themselves this time.
- DEAR LORD! To quote "Don't Talk to Strangers," "Don't go to Heaven, 'cause it's really only Hell..." Listening to this, I've got to be in Hell by now!
- Blind Guardian need to start writing riffs again. All the lead guitarist does on this album is pretend he's in Queen.
- This album is by far the best album Blind Guardian has ever made. They use all their experience as musicians in this amazing piece.
- This album is solid. I agree about the studio tracks, hopefully they don't add more for the next one!
- Good album. It needs at least 3-5 listens if not more, before it all sinks in. I like BG's straight-forward style as well as their really bombastic over-the-top stuff as you get on this album.
- Damn good album.
- Maybe my favorite Blind Guardian album. I mean, come on, it has "The Soulforged" freakin' owns! And I personally love the opera metal feel to it.
- Too many layers. I've really tried on that one. It's not bad, but Nightfall owns it.
- WTF? Iced Earth isn't Blind Guardian's previous work. Jizzuz! And what the hell? Rhapsody? Ha ha...
- OTT, but no less excellent.
- Wow, this album sounds FAT...in the best way possible. \m/
- This album is tied for my favorite Blind Guardian album. And Then There Was Silence owns.
- I had very high expectations for this album the first time I heard it, and it STILL knocked me over. One of my favorite albums of all time.
- GREAT.
- Ultimate SNORE-fest...the lead guitarist has to play those awful "Queen" lines NON-STOP! GOD-AWFUL stuff! Just STOP adding more and more guitar tracks, PLEASE!!!


* Buy this album, A Night at the Opera, from Amazon.com *

TTM reviews of other albums by Blind Guardian:
2006 - 'A Twist in the Myth'

TTM editorials involving Blind Guardian:
  • How The Pumpkin Stole Power Metal!  (9/28/2003)







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